You can grow it to cover missed spots sure but it starts growing those that were already pretty good to cause effects on the background without an option to limit that. Now you have to manually blend it in a different program. Or a recover original detail slider which acted as a soft blend mode to get something in between which was useful against some ai errors as well. You had more choices and could make some tweaks as there always were parts which looked "funny" in some images (masking out with a brush in worst case situations but you could do it). We discuss this, gear, adventures, light painting, lenses, night photography, creativity, and more in this ongoing YouTube podcast.Oww the control is pretty limited compared to the standalone apps. Night photographers Tim Little, Mike Cooper and I all use Pentax gear. If you enjoy the book, please leave a nice review, thanks! My books are available there and Amazon, Barnes and Noble, Target, Booktopia, Books A Million, IBS, and Aladin. Head on over to the Ken Lee Photography website to purchase books or look at night photography and long exposure prints and more. And it’s also better if you use a faster GPU for Denoise and its other Enhance features. In other words, it’s perfectly normal for the process to take a while. However, enhanced Raw Details DNGs can be processed with Denoise.Īdobe also states that Denoise is a GPU-intensive feature. Once the image has been enhanced with Denoise or Super Resolution, you may not process it again. Applying noise reduction prior to other tools is generally good practice anyway. Other notes from AdobeĪdobe recommends that you denoise your image before applying AI masks and Content Aware. I used a single exposure as an example of a high-ISO photo so you could see how the new Denoise feature works. This is from the Sierra Nevada Mountains in California. But I must say that it retains detail and applies noise reduction, well, intelligently.Ībove: This and the header photo were processed using only Lightroom Classic, including their new AI-powered Denoise feature. When I saw that Denoise was controlled by just one slider, I was a bit dubious. I also must confess that I was pleasantly surprised at how well this worked. When Denoise was set to 50, the shadowy areas of the mountain began looking very “plastic” and over-processed to me.ĭenoise also addressed color noise, the little spots of noise that are easily visible in the sky, while leaving the stars alone. The darker areas around the mountain were kept intact but didn’t look “fake” and “plastic-like”. I found that the noise was satisfactorily eliminated while retaining detail. I found that for this high-ISO Milky Way photo, I preferred a setting around 30, shown in the first two examples. The new AI-powered Denoise in Lightroom Classic is no exception. Analysis of the applied noise reductionĪny noise reduction system or just about any other setting can look bad when you apply too much enhancement.
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